This survey was sent by Jenna McGuiggan to Kim Adrian, editor of The Shell Game: Writers Play with Borrowed Forms, published by the University of Nebraska Press.
Except for the book’s foreword, by Brenda Miller, and the source acknowledgements, everything in this anthology has been written using borrowed forms, including Adrian’s introduction, all of the essays, and the postscript by Cheyenne Nimes. There’s even an essay hiding in the list of contributors.
Your answers to the following questions will help us to understand how this anthology of work by 30 writers came together. Your feedback on these topics is invaluable. Thank you for taking the time to complete this survey.
1) Which of these factors was most important to you when deciding to create an anthology of borrowed form essays?
A. The fame and fortune that only essay anthologies can offer
B. A postmodern distrust of traditional literary forms
C. A lifelong passion for crustaceans
D. Other (please specify)
Finding the right form for a given piece of writing is a huge but normally hidden part of the writing process. One reason I like to read and write essays that borrow their forms from elsewhere is that they put that aspect of the writing process front and center. To me, this anthology is ultimately less about this very narrow sub-genre, the so-called “hermit crab essay,” and more about looking very closely at the relationship of form to content.
2) In her foreword to The Shell Game, Brenda Miller explains how she came up with the term “hermit crab essay” in 2001 to describe lyric essays that take on the form (or “shell”) of another kind of writing. If the term hermit crab essay should fall out of favor, what other trickster of the animal kingdom has the necessary qualities to fill this role? Please consider the potential threats and predators that such a specimen would have to overcome.
A. Honey badger (“don’t care!”)
B. Ostrich (head in sand)
C. Possum (playing dead)
D.Chameleon (changing colors)
E. Octopus (master of camouflage)
F. Other (please specify)
I think the honey badger makes a great mascot for all serious writing. It’s tenacious, a little insane, it gets the job done, even if it almost dies trying. But most of all, it “don’t care.” That’s so key to writing well—outrunning your own demons. Finding a way out of their grip. Getting back up if you get knocked down, again and again.