Cinema and Television Arts
CategoryThe Director’s Fault
…the most important thing I’ve learned (and some of you may disagree with this) is the following: It’s the director’s fault.
#PRODUCERS
It was during Zoran’s Criticial Analysis of Contemporary Film & Video class last week, when we were discussing the dawn of the VCR and..
Films for Filmmakers: La Jetee
By using a series of images together with voice-over narration and musical score, this time traveling story challenges how we perceive memory and time travel.
D-Day
Thirty-one of us tentatively filed into room 319. There was a heavy air of anticipation. I felt sick—I had put it down to the two la..
Columbia College Chicago in the Spotlight
…all filmmakers understand how special it is to screen your work in front of a live audience on the big screen.
Season Two Episode Four
Four weeks in, already. It’s hard to believe on one hand, but on the other it strangely feels like we’ve already hit stress levels not..
A City Campus
Normally, you’re told to go check out a show, go to a concert, and visit a museum AFTER the semester is done, right? That’s if you don..
Take Two… Action!
It’s week three. This semester’s films go into production in week four. My film shoots in week five. That means we’re all in the depth..
The Write Stuff
It was five degrees. So I’m sitting on a metal bench, in frigid weather, watching people watch me freeze.
Show Me The Money
In industry terms, a spec script—more formally known as a speculative screenplay—is a non-commissioned, unsolicited screenplay. It is ..