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Essays

Rachel McCumber

November 5, 2019

Three Essays

 

The Day Kylie Jenner Became the Youngest Self-Made Billionaire

 

“Hi. I’m calling back from
Student Counseling Services.
Is this Rachel?” I turned the
volume up on my phone
because two men next to me
on the train were talking
loudly about how Kylie Jenner
wasn’t “self-made.” I gave the
lady on the phone my informa
-tion and she told me I would
be put on the waitlist. I guess I
wasn’t the only sad, anxious
student at my school who
needed help with their mental
health. The news made my heart
sink. The last time I was waitlisted,
my mental state went from bad to
writing suicide notes. She told me
to have a good day and hung up.
The men on the train continued to
fill the otherwise silent, morning
air with their opinions. 

“Okay your copay fee for
your birth control consultation
is going to be $80, is that okay?”
The waiting room felt stale. I
knew it wasn’t Planned Parent-
hood’s fault that my insurance
charged too much, but it still
stung. It ached when I texted my
dad and asked to borrow money
and prayed we would not have
the awkward conversation about
why I needed the money.  My
phone’s notifications lit up that he
sent the money¾he always does.
Another notification in my dock
was a tweet with the Forbes article
about Kylie. My fingers burned as I
transferred money from my savings
account to my checking. I would pay
him back with my next paycheck. 


“Girl, your lipstick looks so good!
I could never pull that off, could I?”
The lady at the payment counter
was referring to the dark brown
color I had painted on my lips. I
thanked her and told her of course
she could pull it off too. She rolled
her eyes and smirked as she took
my debit card out of my shaking
hands. The fact that I worked part-
time at a makeup store somehow
came up. She asked if I had tried the
Kylie lip products and I hadn’t. They
sold them at the store I worked at,
but I refused to buy them and
help Kylie become a billionaire. At
least that’s what I told my coworkers,
when in reality, I just couldn’t afford
it. Looks like Kylie didn’t need my
help though. 

“How do you all think
consumer culture has
changed in the last 100
years?” My 1920’s history
class was always awkward
with one opinionated student
talking like a God. A biracial
girl and I were some of the
most “ethnic” people in the
class and I didn’t get her. She
often compared the plight of
being biracial nowto a black
person in the 1920’s, which I
never thought was a fair com-
parison. She started going on a
tangent about how Kylie Jenner
created an empire off lip
injections. That she marketed it
as something you could achieve
with a little lip liner. While I
agreed with her, I wondered if
anyone would have been
complaining about Kylie’s success
if she was a man. 

 

“Rachie! I need you to get two
people to sign up for credit cards
tonight! You up for it?”  I nodded
at my manager and ignored the
awful nickname she gave me. She
squealed as she turned on her heels
to continue watching people she
thought were stealing. It’s not
uncommon for big retail companies
to ask their customers to sign up for
a credit card, but it felt wrong and
saturated with capitalism. A middle-
aged woman came up to my register
with a few Kylie Cosmetic “Lip Kits”
in hand. Her delicate fingers threw
the $29 products on the counter. I
scanned them and informed her
about the in-store credit card. She
interrupted me before I could finish
my half-assed sales pitch and told me
she didn’t need it. Then her card got
declined.

This is so sweet. But why am
I crying? I sent this tweet to my
friends followed by a video from
my hometown. Though every
tweet on Twitter was either
trashing or praising the Jenner/
Kardashian empire that day, there
was a video on there that made me
cry. A basketball player on the team
for the university in my hometown
got a surprise visit from his mom,
who he hadn’t seen in two years
since he left the Dominican Republic.
My eyes overflowed with tears as the
six-foot tall young man sobbed in
disbelief as his mother walked down
the stairs of the empty stadium to
greet her son. I’m not a big sports
person, but it was magical to see his
mom glowing as she got to watch her
son play. Haven’t we gone over this?
Self-made: Having succeeded in life
unaided.

 

Dictionary.com’s twitter account sent
that message the day after. Even the
damn dictionary doesn’t think Kylie is
deserving of her title. While it was
petty, it made me laugh when I saw it
on my feed. As I walked down a stair-
well, having left class, I saw I had two
notifications. One from Chase, that my
minimum wage paycheck was directly
deposited into my account. It wasn’t
much, but it was enough to pay rent
and pay my dad back. The other one
was an email from Counseling Services.
They sent the list of available times for
an intake appointment for the following
week. I was off the waitlist and my
shoulders didn’t feel as heavy any longer. 

The day Kylie Jenner became a
billionaire seemed to be the topic on
everyone’s minds. Was it because she
came from a family of millionaires so
the term “self-made” left a bad taste in
everyone’s mouth? Or did she truly
work hard and deserve the title? Does
it really matter? I imagine on that day,
Jenner sat in her Hidden Hills mansion
with her collection of sports cars asleep
in her garage. I imagine a fresh manicure
and a set of long acrylics glued to her
nails as she holds her baby daughter in
her arms. Her child has no idea of the con-
troversy and comments her creator has
caused. Kylie pays little attention to the
explosion of notifications on her phone.
She only enjoys the company of the storm
she created. 

 

 

 

Origins


5 years old. Leander, TX.

I was wrapped in a beach towel sitting on the edge of the pool. I traced circles with my feet as they dangled in the cool water, and squinted to see from the bright sun while laughing at my family who swam nearby. As I looked down at the small waves I was making, I noticed how dark my legs were in comparison to the bright blue waters that surrounded them. My bright pink towel and swimsuit only seemed to amplify the contrast. I thought my legs looked like hot dogs without buns. My sister, Caitlin, called over to me, saying something about how crazy my hair looked. It was a lot thinner and curlier back then, so when it dried, I looked like a discount, brown Annie. Her smile beamed as everyone laughed at whatever she said. Like always, I ran off crying because I didn’t know how to take a joke. The laughter of my family rang in my ears as my sister tried to call me back over, so I wouldn’t go tell mom.

My brown-ish feet took me back across the hot concrete, up the deck, and into the kitchen. The inside of the house was completely dark as my eyes adjusted to the indoors. My mom saw me, “Hey lovie, what’s wrong?”

I half-blindly ran over to her and tattled on my sister. She started to laugh and contained it. “Why can’t I look more like Caitlin?” I asked between my tears.

Caitlin got the traits I envied from my dad: fair skin that was decorated with beautiful freckles and golden-brown hair, while I got more similar looks from my mom: easily tanned skin and my mom’s dark, mexican hair. My mom was angered that I complained about my looks because, I guess as far as faces go, my sister and I looked “just like her.” She sent me back outside and I went and sat in the shade, awaiting my sister’s apology that never came.

 

 15 years old. Lubbock, TX.

My arms started to get tired from using my friend’s mini-flat iron to straighten my hair. As I got older my hair lost most of its curl and it became so thick I had to get it thinned out every six-weeks. I was getting ready in my friend Kamryn’s bathroom while the rest of my friends sat down the hall in her room. They were discussing our most recent obsession with a new boy-band. Their laughter echoed down the hall as I yelled at them, cursing at my hair for making me take so long to get ready. Her bathroom was cluttered with all the makeup we borrowed from each other and no one bothered to clean it. The mirror contained my reflection as well as drawings of me and my friends that one of them had drawn with a dry-erase marker. I envied the doodles of my friends that had the hairstyles I wanted, but was told I couldn’t pull it off. I finished the last section and my hair looked just like all of my white friends’ hair¾pin straight.

I ran down the hall and they were all laying across Kamryn’s bed on their phones sending back and forth pictures of the boys in the band that were “our boys.” Rolling my eyes, I reached into my bag to grab my lotion. They continued to gush about the punk boys on their phone screens as I lathered up the lotion and glided it across my skin. I hated the smell of lemons, but I had mixed in lemon juice into my lotion because I had read online that lemon juice made your skin paler. Closing the lid to my lotion, I threw it back into my bag and threw myself onto the bed with my friends. They then showed me the punk band member that was “my guy.” He was really cute but didn’t look like the rest. He had dark hair, small brown eyes and olive-colored skin. The other members of the band were fair and had light colored hair with choppy fringe.

“That one is yours,” Kamryn proclaimed, like she was claiming The New World for me. I pointed out that he was the only one who wasn’t white. They laughed and said that’s why he was mine. I rolled my eyes and joined in their laughter.

 

19 years old. Chicago, IL.

The world was really dizzy. The girls at the party made a drink called “Jungle Juice” that I had only ever seen on Twitter and didn’t know it was a real thing. It consisted of pouring juice, fruit, and roughly 3 tons of liquor into a large container. Needless to say, I had quite a lot of it. It was a cast party for the show we had just closed earlier that night. It was an all black cast and we were all extremely proud to have sold out every night to share the story with others. I was only the set designer, so I hadn’t really had much time to get to know the cast as much as they did with each other. They all laughed at their inside jokes and broke away from the group to have their own conversations. I sat with another designer and gushed to her about how we needed to hang out. The majority of the party sat around the living room laughing and trying to explain the rules of the drinking game over the loud music playing. I was only half-listening and playing with the soft waves in my hair I had recently started to embrace.

The rules of the drinking game had been something along the lines of drinking if a statement applied to you. For example, if the statement was “whoever has been arrested” or “whoever is the youngest,” the person who that applies to would have to drink. They had started to play a few rounds of the game and I would just drink whenever they told me to. I leaned my head back on the wall behind me and started to sing the words to a Selena song that came over the speakers. I don’t know Spanish so I was probably saying the wrong words, but the music was so loud no one cared. Finally I heard one girl say my name over and over and I looked over at her and tried to make sense of what she was saying. “Rachel, you have to drink now” she yelled over the music. She told me to drink again and I laughed and obliged as I asked why I had to drink. “Because it was ‘whoever is white’” she yelled back. I tried to explain that I was only half white, but that my mom was hispanic. No one heard me over the music, so I kept drinking and we all kept playing the game.

 

 

Meditations on the Color Yellow

 

  1. I asked my mom what her favorite color was. She told me it was yellow. I made a noise of disgust and asked why. She said it was a happy color.

  2. My sister walked out in her satin, pink, and silver-beaded prom dress. She had decided the day before her junior prom that she was going to attend and it was the only dress she could find last minute. I was about to tell her she looked like a bottle of Pepto Bismol when she started to let all her friends in the door. I had never seen her friends wear anything but jeans and t-shirts and they filed into our living room like troops ready for battle. The girls all had on full-length gowns and I was in awe of the girl with fair skin and light brown hair with soft curls. Her dress was quite large and a pale yellow that reminded me of Belle, from Beauty and the Beast. So I was confused when I heard someone whisper under their breath that it wasn’t her color.

  3. My mom tied my hair up in the tightest ponytail¾like she always did. She yanked a brush through my hair like it wasn’t attached to a 5 year-old’s head. I coughed and coughed as she doused my hair in hairspray, and she told me to stop being so dramatic. My hands were laid on my lap and I played with the skirt of my dress to distract me from the pain. The fabric was stiff like parchment paper. It was a white and yellow plaid pattern that had little yellow flowers sewn into the hems. I knew since it was such a light color I wouldn’t be able to play outside with my cousins. As my mom finished the only hairstyle she was capable of putting my hair through, she grabbed a scrunchie off the dresser that was the same fabric as my dress and put it in my hair. 

  4. We sat around the kitchen table having breakfast and my dad yelled at our cat for trying to catch flies that landed on the cracked, yellow-painted walls.

  5. I walked barefoot down the hospital hall, clinging to the railing meant for the actual sick. My family’s car wreck didn’t do much damage to me, but my seven-year-old body was so sore it hurt to even laugh, though I wasn’t doing much of that. My Aunt Mary saw me coming from the waiting room and greeted me with a relieved sigh¾I think I might have been the first victim of the accident she saw, other than my parents. When I finally made it to the waiting room she handed me a bright yellow Wendy’s bag and told me I needed to eat something. I sat next to my cousin and he asked if I was alright, I might have said yes. Then I threw up into the Wendy’s bag. 

  6. There were baskets that were filled with things no one would normally buy at the raffle contest my neighborhood had. Everyone was putting in their tickets for the basket with candy and DVDs. I put all of mine in a soft-yellow, woven basket filled with jewelry and I won. When I brought it home, my mom kept most of the jewelry because it was “too grown up” for me and told me I could keep the basket. 

  7. My grandma drove to my school to bring an outfit for me to wear to my friend’s dad’s funeral. It was the same dress I had worn to Easter mass¾mostly black with yellow flower petals printed on the bottom half. My seventh-grade class walked from the school over to the church and filed into a pew toward the back. I had never met her dad before. It was the first time when they brought him down the aisle in a coffin. The pamphlets they handed out were a faded beige and felt like napkins. It had his picture on the front and inside there were pictures of my friend and her family. Their smiles were beaming. As they walked in after their dad, my friend and her mom had puffy red eyes and her five-year-old sister’s face was blank.

  8. My grandmother on my dad’s side was a character to say the least. Garage sales were her nirvana. The last Christmas that she was well enough to mail out presents, she boxed up random items and shipped them out to her relatives across the country. That year my mom got a fake diamond ring in a black suede box (my parents were already separated), my sister got an expired bottle of purple Listerine mouthwash, and I got a shiny, yellow piggy bank with the word “Botox” written across the side in black cursive letters. 

  9. At my confirmation I picked out a yellow lace dress to wear because I was only doing the ceremony for my mom, so I figured the dress could be for her too. Afterward, she didn’t congratulate me on letting the Holy Spirit into my soul, but how nice I looked in yellow. 

  10. My head rested on my first boyfriend’s shoulder as we sat at my best friend’s graduation party. He laughed at something I said and put his hand on my thigh, like it was a pat on the back for me saying something funny. His pale, veiny hand started to slide under the dark yellow fabric of my dress. He smirked as I allowed him to touch me, he didn’t know I just didn’t want to embarrass him by telling him to stop. 

  11. My drunk, but cute friends went around in a circle to decide on what everyone would be, if they were a color. It was unanimous that I would be yellow. 



Essays

Paul Warmbier

May 28, 2019

A Sanctuary of Wood

My life has been shaped by wood. My ash workbench’s roots splay outward like a water-starvedsystembut fail to penetrate beyond the flat gray barrier. My woodshop embodies equal thirdchurch, museum, and ancestral repository. Each portion compliments the others; each portion creates tension within the whole. Still, the grain in the wooden legs sweepdownward, the wood for connection to the soil. 

My small, cramped shop is hardly long and wide enough to repurpose as a dog run, but I dare not extend it into my wife’s half of the garage. In the poor lighting the cold gray forms of power saws mark both flanks of my work area like sentinels. The tools cordon off an area that is neither a hobby shop nor a professional one but something else. 

I began woodworking in earnest only a few years ago, and since then I have attempted projects too advanced and failed, making joints that do not fit, squares that are not square, shapes that onlysort of resemble shapes. But I have also succeeded. Partially that success derives from the meaning I place on the pieces I have completed as well as the process from sapling to a life full of growth and a repurposing in death.

I read about a new tool I don’t own—be it a new jig for my saw, or a larger and more powerful jointer—and realize how much time and energy could be saved by not sticking to hand tools. I want it. My grandfather, who taught me the basics, scoffs at my tools and tells me to slow down, one thing at a time, build the fundamentals and so forth and so on in an old and tired repetition. What he doesn’t understand is passion supersedes reason and patience as well as pure functionality. Or perhaps he knows it too well and I am naive.

***

Along the cobwebbed wall adjacent to the garage door lie stacks of hard and soft woods in varying states of drying and preparation. A pile of slabbed black walnut oozes a hue of melted chocolate. After it is sanded and waxed, it will radiate a deep coffee stain of ringlets and waves of reflection like a rock thrown into a pond. Bleached white maple waits to be cleaned up and stained after which it will explode with tiger stripes and quilted grain, giving the surface a three-dimensional mirror-like grain patterncalled “figure.” Cedar boards warp and crack in the varying humidity of North Idaho, eventually turning caramel-linedwith uniform vertical grain stripes creating a story in all wood. Their rings and figure are clues to a life lived and a world in flux. 

Abbie, my wife, meets me in the doorway when I have been in the shop too long. I want her to understand why I do this. I want her to come in while I work and see the transformation, the love and meaning poured into each piece. Sometimes she does come in to inspect my progress, and my son toddles behind, wide-eyed, mouth open in wonder and excitement at this usually forbidden cave of dust and noise. I want her to blanket herself like I do in the wood dust that hangs in the air and smell the reclaimed fir oozing sap from old-growth Oregon forests, and Claro walnut from California, wafting its sweet, pungent, earthy rot. It suffocates me sweetly as I work, a profusion of exotic spices buoyantly suspended between two doors and a dais of ash. Each of my tools hanging on the pegboard is a reminder of another job waiting and hours spent under the cloudy haze of fluorescentlights flickering in the dust. Hours of sharpening chisels and plane irons mount in a backlog of work still to do. I want Abbie to see and to know. I want my son to see and to learn. I want others to understand and to love the dedication poured into each stroke of a hand plane and cut. 

When my grandpa wanders into the shop, I often see his eyes survey the projects in progress: a cedar stool without a seat, a huge Douglas fir post and panel bookshelf the height and breadth of a Japanese plum tree blossoming outward from tapered legs, an unfinished toolbox for my two-year-old niece, an inlay set in walnut of a cutthroat trout about to take a fly in redwood and mesquite. Does he judge them? Or is he simply happy to have another member of the family work with his hands? I inherited many of his tools, and I know he looks for them on the shelves. Does he also look at my woodpile and wonder why I have so much and if I will ever use it all before it turns to dust? Perhaps he just sees a kindred spirit, someone searching for hidden meaning and purpose buried in the grain. When I inherited his tools, I also inherited an understanding of my place within the tradition of an appreciation of the wood’s journey. 

My grandpa built scores of homes in his working life, ocean-going boats of bent oak and cedar, in the old Scandinavian fashion, with carefully fitted overlapping horizontal strakestacked to oak ribs like skin to the bone of some long-dead monster brought back to life. Or a recreation of Ezekiel’s valley of dry bones waiting for the Lord to come and breathe new life into them. The boats excite me when he talks at length about them. “Two or three still float,” he says over his umpteenth cup of coffee around three in the afternoon—despite the fact that it is eighty outside and easily ten degrees hotter in the shop. “Last time I checked, they were in the marina at Garibaldi.” 

I know Garibaldi well. It’s a small bay town on the Oregon coast. Garibaldi is nestled in a break of Douglas fir and cedar, surrounded by the coastalbay on one side and the Tillamook mountains on the other. A series of small but deep tide water rivers moat the town in. Sea-run cutthroat and steelhead make their way into larger water systems through these streams providing great fly-fishing as well as roots a chance to dig deep in silty soil keeping trees growing tall and wide year round. 

There isa particular fish and chip shop on the wharf. It is rarely open,but its simple honesty makes it the best on the coast. It’s a place where the air hovers rank and vaguely pearlescent in a kind of perpetual mist of fish guts, and salt spray, and gulls scream overhead—or rest on the weather-beaten, scarred gunnels of a rowboat, or at one’s feet. The wind blows off the water and peppers the hunched-over souls with salt. On rare days when there is some sun breaking through the clouds, everyone gathers on salt-encrusted patios and strolls the main street full of glass blowers, and knickknack shops unique to the tourist economies of small coastal towns. The bay is scattered with boats, visible between the swells, most of them are crabbing. I love it there. 

My father and I made special detours to Garibaldi when we used to fly-fish the coastal streams cascading out of the Tillamook mountains or took the aluminum boat crabbing at Nehalem Bay, farther north along the perpetually economically depressed coast. When I visit, I search the marina for an old wooden hull that might have been made by my grandfather. I find myself longing to find one. I think I want to find proof positive that he did indeed build boats and that it’s possible and that the usefulness of something made by hand can outlast one generation, but I think I also want to find a little more justification for my work. I’ve come to understand that justification is everything, good or bad. I want to say, See! There! That is why I make furniture. Our handiwork can last

He built so he did not go without work. He fed the insatiable urge to work that tore at his generation. He was most certainly a workaholic, something I am not. Though I cannot say he built out of pure love for the craft, I am sure there was a deeplove for the process though it may have been masked by a burning urge to remain working and moving and not judged a lay-about and wastrel. I am a writer so already qualify as one of those if not both. I have never been worried to be a lay-about and dreamer. He seemed afraid of what would happen to mind and body if he stopped. 

When I was a child, perhaps around ten or eleven, I visited my grandparent’s home in the wet and ivy-covered town of Sherwood, Oregon, just south of Portland. I don’t have many memories of the place. Most of them revolve around rain, the beach, and oak trees whose branches drape elegantly to the ground as in a low bow, lastinga lifetime. In one memory I do have, my grandfather stood in a frame of boards. He was erecting his woodshop. I watched as he almost singlehandedly lifted the wall frames and secured them to giant vertical posts on a concrete pad. He let me help. At least, he let me stand beside him leaning my slight weight into the wall until it sat level, his hands far above mine. I was then charged to stand back and make sure it was levelas if I knew what level looked like at ten. Their backyard shrank, and a monastery rose. It was something I had a hand in until my sister stepped on a rusty nail in the construction site, and we were all excommunicated. The next year, I came back, and he showed me the shop filled with tools and hoses, nail guns of all sizes hanging on pegs, and innumerable screwdrivers hanging in little metal sheaves, all splattered off-white with primer and rust. A steel and cast iron table sawdominated the center of the shop, radiating outward were pine outfeed tables, so only the periphery of the shop was accessible. To him, rebirth meant repurpose. He had no spiritual connection with the lumber he used for house frames, but I imagine that was because he never gave himself time to stop and smell cedar dust or walnut. 

***

My shop has a single window to the backyard, and unlike my grandfather’s, everything stands outward, pushed to the border of my space. The only space I do have is in the middle. In the summer, with the side and garage door open, my son, Simon bounces around in the backyard, throwing a ball for our puppy. Abbie, her legs up on a chair, a book or glass of rose in her hand, looks at ease. In the winter, the snow piles up and partially coversthe window blocking me in, my kerosene heater next to the woodpile. 

I used to wonder why my grandfather spent hours sitting in the confines of his cloister in his backyard surrounded by blackberry bushes and apple trees. He was a general contractor, mason, electrician, and boat builder in Oregon the whole of his working life. He no longer has a shop to himself, but when he comes to visit, he stands and looks wistful, visibly missing his days in his shop. But he doesn’t allow himself to disturb my woodshop. I think he wants to though, and seems to lighten and stand straighter delivering a familiar homily on what should be going on with my projects, or pointing out flaws in my work seen only by a few with practiced eyes. 

Now, in his early eighties, he illuminates old techniques while rasping, and occasionally needing to sit, reluctant and grumbling, showing the pain from cancer destroying his lungs and his joints destroyed from work. He leans over my workbench with strong hands shaking, grasping for the edge, and he watches me sharpening a chisel or cleaning the long flat sole of a jointer plane. I clamp the chisel into an angled roller and grind it down alongmy Japanese water stone in quick staccato movements like a metronome set on Allegro. At times, I lift the blade to my eyes, looking for the growing mirror finish of honed steel extending the length of the blade. He smiles at my concentration. I feel bad at times because I don’t follow all of his old ways. I don’t find the angle of the chisel’s bevel by hand but by a predetermined marker on a clamp. 

I wonder if there are aspects of our existence burrowed into biological memory, the roots and desires creeping forth from sometimelong before us to snag and snare. At times, when I hear a hand saw scrape through wood, I feel something close to atavistic. At times I imagine this is one of the few ways I can rejoin my predecessors. Perhaps it was experimentation encoded into our DNA as well as the evolutionary actions of hundreds of generations of humanity from the dawn of tools that draws me toward the wood. When I was given my first jackknife around age eight, I picked up a stick and began to whittle. The shavings piled up at my feet until I shaved a bit off my finger. Despite the cut, I found a stick and began shaping it and never really stopped.

Under my grandfather’s calculated movements, retracing those masters before him, hulls of ships took shape. Under my hands,tables and bookshelves come into their own. Was it something planted in my DNA from the movements of the craftsmen in the Neolithic past, the Egyptians, Britain’s Tudor craftsmen, the Arts and Crafts masters, my grandfather and others that brought him to the craft, brought me also to wood? 

***

I took a walk through a local arboretum and began to see trees as upright boats or desks or chairs, irreverent as that may be. The grass is short and well-kept in our arboretum. We don’t pretend we’re in a forest but accept its artificiality. The array of tree and plant life in my local arboretum is staggering. There are trees from Asia and Europe, as well as the Eastern and western United States. I’ve walked this arboretum with Abbie many times over the years, and I enjoy bringing visiting friends, but I’ve rarely truly observed what was around me. The arboretum is on a softly sloping south facinghill, and as I progressed down the manicured hill toward a pair of willow-linedponds,I began to realize a real transformation had taken place in me. 

For the first time, I began to look at the trees as more than organisms and parts of the scenery. I don’t mean to say I looked at them lustily, wondering what their wood would resemble quarter sawn, sanded, oiled, and waxed. Well, I did do that, but it had more of a purpose than greed. It was an understanding of my place in the life of nature. I am a scavenger. No matter how I try to trick the goal into becoming some higher transcendental longing, I only feed off the corpses of dead things. 

I have friends in the business of chopping dead trees. One routinely calls when he is about to saw an old maple or elm after it dies or becomes a hazard in a park. “Come by quickly,” He says, “or we we’ll chip it, and chop up the rest for firewood.” In one instance, it was an elm. It sat in a park, and though not dead it had begun to show signs of an insect infestation compromising the roots.

 An elm had never shown up in my shop before. I have never even used it but figured I would try. I borrowed my grandpa’s truck and loaded up as many six-foot sections of the main tree trunkas possible. I drove home slow and heavy laden and unloaded, tipping the trees over the edge and onto the gravel. 

They are drying in my wood stack beside the house, and I hope to mill them soon. They are dead and only slightly resemble their cousins in the arboretum, but what they do resemble is a continuation of history. 

***

Milling wood to dimension is an act that is too often left out. Against the insulation of the garage door is my bandsaw. This tool is one of the few power tools that I consider essential, mostly because I don’t want to labor for hours with a long-crosscut saw ripping boards of wood lengthwise by hand. I’m not skilled enough for that.

My grandfather worked wood by hand when he was younger. I’ve seen his hands as nearly rheumatic claws from clasping a hand saw for hours attempting to rip wood. I don’t really mill with my bandsaw but I do prepare the wood for the planer, which cleans the surface like glass. I often was caugh­­­­t by my grandfather hand planing planks of wood with a long, thin hand plane. He would just sit there and shake his head. That’s what power tools are for now he would seem to say. I guess that’s the difference between generations where handwork was essential instead of a novelty. 

So many furniture makers I know are content with only buying the lumber from their lumber yard prefinished, but I love the surprise when I flatten the wood and the figure, the grain pattern, and the true color begin to show piecemeal. I get to know the wood. Its shell has been cracked, and the hopeless romantic in me delights in running my hand across the grain. I can almost see it as a chair or table as I feed the plane over the surface, one hand before the blade, flat, applying slight inward pressure to keep the wood securely against the fence, the other, pushing the lumber through in a slow and consistent way. I try not to be rough. Lumber, though no longer living, will react to abuse. If I move too rashly, my machines and the wood bite back. 

If I look at the end grain of the wood, a central drop radiates out with twenty or thirty rings an inch. This is good. There will be less sapwood in between the rings, possibly making the future boards less susceptible to warping and cupping. More than that, the rings indicate a long and interesting life. Hot summers, brutal winters, teenagers cutting into the sapwood with knives, and climbing the young tree, breaking off weaker branches, squirrels skittering around on all seasons, an arborist on a cherry-picker with a sharpened pair of sequiturs identifying good and weak branches, my grandfather and I inspecting it and wondering what it will become. The rings are a history of the earth. The future furniture will be a continuation of that history.

***

It is hard to look at wood and not see symbols. For my workbench, I chose ash. I did so for its strength and the aesthetic inherent in the light wood, which acts as a reenergizing presence after my day’s real work is finished, and my infant son is asleep. I step into the shop and run my hand along the grain. Ash is not an enjoyable wood to shape. There are no vermiculations of quilted waves or liquid illusion in the wood that trick the eye to see beyond it into the heart of the natural world. There is simply interwoven strength. It is unyielding. Where other woods bend and break, ash usually retains its strength. Ash is perfect for pounding and hammering and planing. Perhaps this natural unyielding quality drew me to it. Perhaps the ability to exude such strength and rigidity even in death makes me envy the wood.

 Centuries ago, my predecessors also chose ash for its capacity to absorb abuse as well as its direct connection to the spiritual world. Ash in some circles was directly associated with the world of the supernatural and gave some people an eye into creation itself. In Norse mythology, Yggdrasil, the world tree, is ash, which is portrayed holding and containing this and all other worlds. Its roots yearn deep into the cosmos to the underworld, the trunk reaching to the heavens holding the boughs that connect all the worlds. Likewise, of the five legendary guardian trees of Irish lore, three are ashes. Ash is enjoyed by many professions from archers, hunters, woodworkers even gods. 

The ash wood workbench sits directly in the center of my woodshop. It is the heart of my shop. Its ash boards receive all of my projects at some point. The strength of ash means it makes great tool handles, yet it also can bend without breaking and recover to its original position. If you were to look at the lengthwise cut section, peering down the grain, little dots, or tubes, show on the wood. These tubes are what provide the strength and bendability of the wood. When a tree is cut into flat sheets lengthwise down the board from top to bottom contrary to the grain, it is called flat sawing. This is the most common cutting technique and produces the least amount of waste. It’s how I cut with my chainsaw mill. When this flat sawn wood becomes furniture, the grain curls upward. The legs of my workbench are flat sawn. The wood flames up and the tongues lick the legs of the bench. The effect almost betrays an altar. The flames point to what is being made on the workbench’s surface. They seem to advocate meaning in the project, not merely support it. 

For many, rebirth is personified by growing and living forests surrounded by rot, animals, and fungus feeding on the old and fallen. When I don’t mill my own lumber, I like to visit my local specialty wood store. I enter his small storage shed and wander between trunks of hewn Douglas fir, dead and dried, ready to turn into an heirloom. I sometimes find a piece that I can break down and re-forge, the tight rings shining with new purpose. I find a piece by sight and feel. I look for grain direction and wood firmness and conjecture on its future beauty. In its rough form, even the slowest, most thoughtful eye misses what sanding and oiling may bring out. The grain patterns sometimes align to the initial picture in my head, but often the result is a complete surprise, despite sheets of hand-drawnplans and blueprints. 

My father is a Lutheran pastor. He has been his whole adult life. He never taught me to build with my hands because he worked with his mind. That is not to say he could not work with his hands. He helped his father build houses as a teenager. He owned the tools that adulthood required. He had chisels that were never sharpened, a circular saw, slightly rusted with age and changing humidity, an oiled miter box, ancient, a relic from my grandfather’s father, and a table saw. They sat on shelves, and the wood and metal boxes collected dust. The tools remained inanimate, rarely touched. My education came in the form of thinking and fishing in the mountains of Western Montana and Idaho. I could not do better for a classroom. Instead of moving lengths of wood, I measured hours in the sun on high mountain lakes, and I measured lengths of fly line or distance to a Mule deer buck. What this education taught me was patience and a love of woodcraft. I walked the forest and ran my hands along trees and explored dark and forlorn caverns recessed in the wood. 

As a pastor and outdoorsman, my father equated rebirth not only with Christmas, the sacrament, and the Easter story of Christ but with the welcome arrival of spring in northern Montana and high mountain Idaho. But after helping grandpa erect his shop, I slowly began to see more in the rounds of pine and fir I chopped continuously to feed the relentless appetite of the wood stove at home. I looked at the altar in the sanctuary of my father’s church and under the vestments and saw the symbols carved deep in oak. The Alpha and Omega were always present spiritually and physically. They were the cycle of death and birth in a continuum that I struggle to understand in any metaphysical way but to which I find a possible clue though the continual shaving and shaping of a corporeal lump into something new and reborn. I like to think I have found a tie between the spiritual and physical world in the work my hands do in cooperation with my mind. 

I find God in nature, I find God in wood and high mountain air, and through that, I find purpose and understanding. I discover that I want to surround myself in my woodcrafts, not just in my shop, but also in my home, my friend’s homes and businesses. 

Perhaps my wife is correct, and I have enough wood and furniture already built. Perhaps my excitement when I achieve a mirror finish on cherry, or walnut is reaching into the purview of my childhood and its simplistic pleasures. Perhaps it’s obsessive. Perhaps that’s not such a bad thing.

***

Our deep understanding of the world around us should both involve and be reshaped with an eye to the past. That is not to say that we should glorify the past in its faults and failures, and that we should not revise it to be more blameless, but that it should inform our future and the evolution of us and what we need individually and culturally to find sanctuary and rebirth. When we embark on the process of creation we need to make sure that we leave ourselves open to the natural changes in our world that will change our narrative. This essay has been in the form of evolution for five years. I have changed locations, had children, changed jobs and shifted my understanding of where I place meaning in the roots of my mind. The sanctuary of my woodshop and the act of creation out of death has evolved as well when new tools and practices come and go. These have formed a harmony between the cuts and shapes I make and the grain of the wood to make my work blend in with what is natural. 

I have come to think that all of us go through this evolution. We adapt and throw out the unnecessary to leave room for that which is germane to our task at hand. In 2017 my wife and I moved out of my home state to Oregon. I moved to a larger shop where I could adapt new tools and practices to my routine allowing me to extend my skills, but the Willamette valley is not home to many places where one can wander the high mountain lakes and ancient cedar groves within minutes of our old home in Idaho. I have floundered slightly. Oak and maple surrounded by other outdoor and wood enthusiasts does not excite me as much as long forgotten cedar off any trail. The old groves certainly exist, but generations of intense logging and an incessant press of people have taken their toll visibly on the landscape. 

I rarely earn a profit for my work. Often, I trade my services for goods, homemade beer, fine wine, or even restaurant gift certificates. In a way, this seems more meaningful than the unceremonious trading ofeffort and love for mere paper money. It may not be sound business practice but does make for loyal customers who allow me to experiment on their furniture. 

When I see a finished piece, I find something similar to what I imagine real understanding is. I can feel the grain patterns and see years of drought and others of plenty, years of pain in occlusions and cuts deep into the ordered parallel grains. The lives of trees are not much different than those of humans, we just are better at hiding what ails us. When I see something finished I have a connection to my past and that of the whole artisan community stretching deep into prehistory. A woodshopis a sanctuary where the veil between worlds is thin, where the connection as organisms rather than a hierarchy of human verses nature, and the spiritual and physical collaborate to become one single meaning through the singing of tools through wood.

____________________________

Bio: Paul Warmbier lives, teaches, and writes in McMinnville, Oregon. He earned his MFA in Creative Nonfiction from the University of Idaho where he also served as Associate Nonfiction Editor for Fugue. He writes essays based on place, trauma, and the value of craftsmanship in our new world of replaceable throwaway objects. He is a writer, high school English teacher, custom furniture maker, and co-founder of the Dauntless Wine Company winery.

Essays

Mauri Pollard Johnson

May 28, 2019

On Not Eating

It is far harder to kill a phantom than a reality. . . . But it was a real experience.” —Virginia Woolf 

There are necessary evils that exist in everyone’s life. 

Here are a list of mine:

The ACT. Standardized testing. Mothers-in-law. Menstruation. Pregnancy. Morning sickness. Sidewalk cracks. Wearing a bra. Sleep. Taking a shower. Buying makeup. Haircuts and mowing the lawn (which are essentially the same thing). The government. Work. Welfare. Walmart. The middle console in my husband’s truck. Money. The stairs by the Smith Fieldhouse on BYU campus. Exercising an hour or more every day. 

Body Image and Eating Disorder Group therapy. Individual therapy. Dietitian meetings. Stepping onto a scale backwards. My dietitian. Meal logging. Breakfast. Lunch. Dinner. And all the balanced snacks they tell me to eat in between. Cooking. Deciding what to eat. Carbs. Sugar. Breads. Pastas. Any kind of sauce. Social events with free food. Eating at restaurants. Eating with people. Eating in general.

“Eating disorders can be recognized by a persistent pattern of unhealthy eating or dieting behavior that can cause health problems and/or emotional and social distress.”

I had a friend in high school who was as skinny as all of the cliché metaphors for skinniness. She never had to worry about eating vegetables and fruits and whole grains or going to the gym on a daily basis. One time, she told us that at a regular checkup the doctor told her that she needed to gain weight. 

What a mind blowing concept: being told that you need to gain weight. Who ever knew that being too skinny was unhealthy? Not me. The gluttonous being inside of me stirred with jealousy as I imagined what it would be like to need to gain weight. I conjured up images of gallons of my favorite ice cream flavors ready at my fingertips, warm gooey cookies and thick rich brownies decorating the table in front of me, cheese fries and onion rings and pizzas bigger than my head. I thought that needing to pack on some pounds sounded like the best thing in the world—

until it happened to me.

I never thought I had an eating disorder—that was some mythical disease that plagued dramatic high school girls who wanted to be small enough to fit into their cheer uniforms. Not me. Not a college student, return missionary, faithful church-goer, commandment keeping, God-fearing girl like me. 

Over the course of six months, I lost about twenty-five pounds. 

After she was diagnosed with “hysteria” and sent to a mental institution, Anne Sexton once said, “I thought psychotic was someone else, but I’m still me.” And two years ago, that’s how I felt (still feel). I didn’t realize how sick I was (am—and I still don’t see it most times). I thought my daily menu was something normal people (and by normal people I mean those who have not yet been broken by the chains of disordered eating) ate as well. 

My menu was as follows:

Breakfast: a single banana (no more)

Lunch: ½ a carrot and ½ a cucumber, both peeled and cut into slices; one apple, sliced; and, for my main course, a varying flavor of yogurt of my choice

Dinner: one whole bag of frozen broccoli and one grapefruit, peeled like an orange

Dessert: one spoonful of thick honey

Yes, I literally ate this same thing every. single. day. No, I did not have an eating disorder. People with eating disorders don’t eat, and I ate. 

“Even if a person does not meet the formal criteria for an eating disorder, he or she may be experiencing unhealthy eating behaviors that cause substantial distress and may be damaging to both physical and psychological health.”

But that mindset was my eating disorder thinking for me. Those who suffer from eating disorders have a hard time distinguishing themselves from their distressed and skewed mindsets. They think they are being healthy. They think they are safe. They think that they are not only normal, they are better than normal, and that nothing is wrong. 

I fell into this trap (and I still do). 

I didn’t know something was wrong with me and sometimes (usually) I still believe that there’s not. This comes partially from the blatant ignorance that exists in our world.

Eating disorders are a mental-health taboo. Depression and Anxiety reign the mental-illness kingdom; eating disorders are the deprived princess locked in the tower (ironically, starving). Depression and Anxiety are recognized as viable in the world of overall health. These two sicknesses inhibit normal behavior and the ability to function—something understood by most. It is a universal truth. There is a sense of empathy when it comes to anxiety and depression. They invoke in on-lookers’ compassion and a desire to understand and to draw closer to the one suffering so they feel supported and uplifted and never isolated or alone. Eating disorders generally provoke discomfort and awkwardness and misunderstanding. And the soul recoils back into the caves of comfort and normalcy, not this bizarre anomaly that rejects nourishment. There is no awareness (as in, being aware that they are common and actually exist) for anorexia or bulimia or binge eating or compulsive exorcising or orthorexia. In fact, the world praises individuals who skip meals or cut calories or spend two hours at the gym every day and never ever EVER eat sweets. And so patients of these illnesses live in confusion and the delusion that what they are doing is right and praiseworthy and healthy and even moral.

Lately, it seems like almost everyone admits to having some form of anxiety or depression. It comes up in church meetings, lunchtime discussions, get-to-know-you games and in a comment from someone in every single one of my university classes. But at least 30 million people of all ages and genders suffer from an eating disorder in the U.S. So where are those 30 million people at church, lunch, get-to-know-you games, and university course discussions?

I don’t want to, by any means, demean the painfully real diseases of anxiety and depression. I understand the torture they inflict and I respect and appreciate the attention that they receive with open arms. I rejoice that our society treats mental-illnesses with a newfound seriousness and respects them as a reality instead of a psychotic mess to clean up and shove in a room and call it fixed. I only want the same for my own mental illness. It’s time to share the awareness. Time to divide up the sympathy. 

I realize there could potentially be a risk of victimizing myself throughout this essay. If it ever seems as if I am victimizing, know that I am only falling prey to myself. That is the only victimization I aim to draw attention to in this essay. 

GLOSSARY OF EATING DISORDERS:

Anorexia Nervosa: an eating disorder characterized by an abnormally low body weight, an intense fear of gaining weight and a distorted perception of weight. People with anorexia place a high value on controlling their weight and shape, using extreme efforts that tend to significantly interfere with their lives. Between 0.3 and 1% of young women have anorexia nervosa (which makes anorexia as common as autism).

Bulimia Nervosa: a serious, potentially life-threatening eating disorder. People with bulimia may secretly binge—eating large amounts of food with a loss of control over the eating—and then purge, trying to get rid of the extra calories in an unhealthy way. Around 1 to 3% of young women have bulimia nervosa.

Binge Eating: a serious eating disorder in which you frequently consume unusually large amounts of food and feel unable to stop eating. Almost everyone overeats on occasion . . . but for some people, excessive overeating that feels out of control and becomes a regular occurrence crosses the line to binge-eating disorder. Around 3% of the population has binge-eating disorder.

Orthorexia Nervosa: an obsession with proper or ‘healthful’ eating; an inability to eat anything but a narrow group of foods that are deemed ‘healthy’ or ‘pure.’ People with orthorexia become so fixated on so-called ‘healthy eating’ that they actually damage their own well-being.

Eating Disorder Not Otherwise Specified: an eating disorder that does not meet the criteria for anorexia nervosa or bulimia nervosa. Individuals with EDNOS usually fall into one of three groups: sub-threshold symptoms of anorexia or bulimia, mixed features of both disorders, or extremely atypical eating behaviors that are not characterized by either of the other established disorders. Between 4% and 20% of young women practice unhealthy patterns of dieting, purging, and binge-eating.

Currently, about one in 20 young women in the community has an eating disorder.

Eating disorders, like most mental illnesses, are complicated. There are a heaping pile of combinations to be contracted—binge, restrict; binge, purge, restrict, repeat; restrict, exercise; binge, exercise, purge restrict; etc. I am impaired by restriction, over-exercise, and orthorexia—which means any food that I or the world deem “unhealthy,” I avoid, run from, condemn, purge, protect my precious body that I deprive so constantly. I thought I held a conglomeration of these different symptoms, rendering myself technically “undiagnosable.”

 But last week, in the office of my therapist that I thought I didn’t need anymore, I was diagnosed with anorexia.

My therapist always tells me there isn’t one sole reason that creates an eating disorder. She tells me it’s created from a myriad of different things, kind of like a recipe. I wonder what my recipe would be:

MAURI’S ANOREXIA
Prep time: 7 years
Baking time: 

Ingredients: 
2 cups of fear of gaining weight 
1 cup perfectionism*
1/3 cup of fear of losing control 
1 Tbl. of her sophomore health class that taught her about calories 
1 tsp. of that time her cousin Sadie called her fat 
2 tsp. of all the people who told her sister missionaries gain so much weight**
½ tsp. of when people comment on how much she is eating (“so much” or “so little”)
Restricting and purging to taste 

*Can substitute perfectionism with the feeling of being unable to do anything right except eating healthy and exercising. 

**Another tasty variation includes replacing this with all the people who talk about “wife-weight” (the weight women gain shortly after marriage).

Directions: 

  1. Combine all ingredients (if the batter tastes too bland, add a few pinches of over-exercise or orthorexia for flavor) and mix on speed 4. If this is being made after eating out or going to a social even with free food, increase speed to 5. 
  2. Pour into a pan (size of your choice) and bake at 350 F for 45 minutes (or as long as it takes for the anxiety to set in). Again, if this is being made after eating out or going to a social event surrounding food, increase temperature to 425 F. 
  3. Take out of oven, and let cool. (This may take overnight or even a couple of days).
  4. Cut into little pieces, put it in a storage container, and hide it in the fridge. 
  5. Buy a store bought dessert instead and show everyone that you are perfectly normal and nothing is wrong. 

(If the batter tastes too bland, add a few pinches of over-exercise or orthorexia for flavor.)

“Anorexia nervosa has one of the highest overall mortality rates and the highest suicide rate of any psychiatric disorder. The risk of death is three times higher than in depression, schizophrenia or alcoholism and 12 times higher than in the general population.”

The diagnosis, honestly, hit me like a bullet train. Thoughts paced around inside my brain, trying to logically cope with my new identity: But I don’t look like I have anorexia. But I eat. But I weigh more than a hundred pounds. But I eat. But I eat. I eat. But. Eat. But. And it made my sickness feel more serious, more real, more commonly understood than “eating disorder not otherwise specified.” And yet, the thing that still ran through my head while all the other thoughts took leisurely strolls was: don’t make me eat more, don’t make me gain weight, I don’t need to, I don’t want to. 

“Anorexia is the 3rd most common chronic illness among adolescents, after asthma and obesity.”

I remember the first time that I realized that food makes you fat. I mean, I always knew that it did—it’s pretty obvious, right?—but not for me. I always thought that I was safe from that slippery slope. But it was in my health class during my sophomore year that I began to become conscious of the ever controlling calories. My teacher (a gorgeous former cheerleader that all of the pimply boys in the class swooned over) pulled up pictures on a PowerPoint to show us how many calories were really in the popular dishes at all of my favorite local restaurants. I think it was when she showed us how many calories were in the chicken crisper dish at Chili’s that I realized that maybe my calorie intake was just too much. I ate out a lot, and when I ate out, I didn’t really care what it was I was eating- I just got what sounded delicious. With each slide I sunk lower and lower into my seat and guilt and shame began to sink their nails into my exposed mind. After that I went home and realized that the information I read on the cereal box when I was bored during breakfast in the morning was actually telling me how many of those pesky, fat building calories I was eating after my fourth bowl of Honeycomb or my third helping of Kraft mac and cheese. This sparked my obsession with counting calories. I let it consume me anything labeled over 200 calories I slowly put back on the shelf and turned for something else. 

“Before the nineteenth century, behaviors now considered to be symptoms of eating disorders were socially accepted, perceived as a manifestation of holy behavior. In medieval Europe, a large number of nuns adopted ascetical practices, including strict starvation, in order to reach unity with Christ. Similarly, in the pre-Victorian and the Victorian era, so-called ‘fasting women’ were admired by the rest of society and considered to be an object of curiosity by doctors and scientists.”

But I never thought that I would ever cower at even the thought of food. Yet here I am—on date nights with my husband taking thirty minutes to look over the menu and decide what to order, constantly touching my stomach to see if there’s been any added bulge or sneakily googling calories on  my iPhone to make sure I hit under 1,200. I usually fly right past the appetizers, entrees, pastas, pizzas, sandwiches, soups, and aim straight for the salads. Anything that won’t stick, ED tells me.

Sometimes deciding takes longer, though. Usually that’s when I’m battling in my head between what I actually want and what actually sounds delicious, and what I won’t regret later. Once, on a date with my now husband at Malawi’s, I stood in line staring up at the menu for twenty minutes going back and forth between the pizza I was eyeing and the salad that sounded okay, but would save me from the guilt and shame I knew I would later feel. The girl at the cash register stared at me like I was a freak. I even walked up to order once and second guessed myself as I was speaking. Literally twenty minutes and I finally gave in.

I ordered the salad. 

My family, similar to most families, likes to revolve life around food. At family gatherings, food is a constant conversation—delicious food, disgusting food, buffets and foreign food, food memories, food traumas, food discoveries, food, food, food. Every first Sunday of the month we gather for an extended family dinner and the more food, the better. Funerals are followed by food. Weddings are followed by food. Gatherings are better attended depending on the food that is served. 

At a family gathering a few years ago, my aunt sat at a table with my cousins and me and, as we returned to our seats with plates toppling over from the weight of salads and meats and desserts, she asked us, jokingly, “So, no problems with eating disorders in this family then, huh?” 

I shook my head, stuffing my face full of Doritos and pasta salad and said, “No way.” 

Sometimes I can’t help but think God has an ironic sense of humor.  

I remember that same aunt telling me once about the clients she had previously worked with. For ten years, she worked at a counseling center for people who have eating disorders. Sometimes, she said, they would have to teach those who had eating disorders how to eat again. I remember not understanding exactly what she meant, and imagining a comical scene of a grown adult relearning how to use a fork and spoon and knife: explaining how their hand should wrap around the thin, metal neck of the fork, how their hand should pull the knife backward and forward with the correct amount of pressure to slowly descend through the food, how the spoon must be balances so precariously as it is brought to the mouth so as not to spill the precious contents on the way. 

I laughed to myself, quietly and humorously judging those that have gone through this school of learning. 

But learning how to eat again has nothing to do with how to properly use utensils. And there is nothing humorous about it. 

The mind is a complicated vessel. Because I could eat more and, yes, that would solve the bruises I get when my husband puts his hand on my knee or the brittleness of my bones or the way my hair falls out in clumps each time I touch it, but that doesn’t heal my mind. In fact, it only feeds the desire to not, not, not eat. 

I feel like the woman in the short story “The Yellow Wallpaper.” She has been locked up and isolated, as if that would solve her insanity, and by the end of her quarantine she is in a frenzied hysteria ripping, tearing, biting, scratching the yellow wallpaper from the suffocating walls to free the trapped woman imprisoned behind the yellow, flaking skin. I think of this story and then and I’m back. Back to the day I was sitting on the floor in my bathroom scratching viciously at my stomach until red blood began to drip like water from the rivets I plowed into my own yellow, flaking skin. I felt there was a monster writhing inside of me and I had to get it out, dig it out, claw it out. That was the only way to calm the pressure in my head and rid myself of the collapsing and blackening world around me. 

When I am in the throes of my anxiety and food is too much to handle or I’ve eaten too much or free food holds me hostage or I haven’t been as physically active as I prefer or I’ve tasted the forbidden fruit and feel the anguish of Adam and Eve as they hid behind the bush . . . I am not myself. I am someone completely different. And yet, it is me. It is my hands clawing at the parts of me that itch after I eat. It is my tears that break the surface trying to release some of the anguish festering inside of me. It is my brain that feels it might explode if I don’t run, jump, complain, move, hit, restrict, restrict, restrict. I never thought that would be me. 

“Up to 10% of women with anorexia nervosa may die due to anorexia-related causes. Early recognition of symptoms and proper treatment can reduce the risk of death. Deaths in anorexia nervosa mainly result from complications of starvation or from suicide.”

COMMON HEALTH CONSEQUENCES OF (RESTRICTIVE) EATING DISORDERS – INCLUDING ANOREXIA: 

  • Constipation: I was once constipated for two weeks. I spent painful hours in the bathroom pushing so hard I worried about blood vessels bursting in my neck or brain or eyes. 
  • Slowed digestion: Adds to the constipation problem 
  • Dry skin: It itches around my belly button and arms and makes me want to scratch off all my skin and hope that some fat comes off with it. 
  • Hair becomes brittle and falls out: I can draw pictures on the shower wall with how many strands of my hair fall out: stick figures the size of what I want to be. 
  • Memory loss: Lately, I can’t remember the new things I learn or details about days that should stick permanently in my mind. Although I have a great memory when it comes to anything food related. Like how I can’t forget when I first found out how many calories existed in the foods at my favorite restaurants or when my boyfriend told me how much sugar was actually in grapes, a food I felt was so safe, or when my mom told me carbs were my kryptonite and I shouldn’t eat so much cereal, or when I found out that not only do I need to look at calories on nutrition facts, but also grams of fat and sugar. 
  • Yellow skin (in context of eating large amounts of carrots): This one shocked me when I read it. Because at first, it seems so silly and absurd and too specific to be a consequence of eating disorders. But mostly because I go through at least two two-pound bags of baby carrots a week. 
  • Feeling cold all the time: I started wearing sweaters and tights in August.
  • Difficulties concentrating: Never start a new job when you have an eating disorder (I would know).
  • Menstrual irregularities: I’ve had two periods in the past year. 
  • Dental issues: I chew probably a pack of gum a day. I tell people it’s because I don’t like the taste of food sitting in my mouth or morning breath, but really it’s because I can trick my brain into thinking I’m actually eating and then my stomach doesn’t feel the sharp aches that come from starving. I’m sure my teeth are painted with grey holes. Also my body doesn’t trust me anymore. 

I am falling apart, and yet I still fear healing more than I fear my current state. 

OTHER CONSEQUENCES YOU MIGHT NOT KNOW ABOUT THAT I DO 

  • Difficulty feeling emotion
  • Feeling too much emotion
  • Loss of libido 
  • Anxiety when eating out at restaurants
  • Anxiety at potluck parties
  • Anxiety when grocery shopping
  • Anxiety when forced to quickly choose what to eat 
  • Achy knees 
  • An increased focus on exercise 
  • Packing your own food that you actually allow yourself to eat 
  • Constantly checking how much your waist/thighs/legs have grown
  • Irritation toward others 

My body is eating itself. I know it, and I know I could stop it, but I never know what to eat for dinner and food always lasts longer than I want it to and so my body must eat itself. It feasts upon my memory—the first course is served with the things I learn at my new job, during the main course are all the midterms I try to study for, and there’s a plethora of sweet desserts to choose from: my wedding day, game nights with my family, girls nights out, late night conversations with my mom and football games with my dad. My muscles feed my body protein and the fat around my stomach does for my body whatever fat is supposed to (I never really learned because I figured whatever it does it’s not what I want). My body eats my heart with a fork and knife—devouring my tears and empathy and sympathy and the part of me that makes me want to spend less time actually sleeping with my new husband. So my body is eating itself (myself) and, for some reason, I don’t really care. 

Well, maybe I do care. At least a little bit. Because if at least a Part of me didn’t care, then I wouldn’t be writing this essay and wanting you to read it. So yes, I guess a Part of me cares. The Part that shows up to group therapy and keeps making appointments with my dietician and lets my therapist bring in my husband and parents to tell them that I’m slowly and apathetically killing myself (or at least that’s how my therapist said it). 

“Quality of life is severely impaired in all eating disorders.”

It seems like since life began—whether you believe stars and planets exploded or that God took his hands and worked molding clay with his life-breathing fingers—there has been a battle. A battle of will, a battle of carnal and spirit, a battle inside the soul. I have always had a strong sense of will and self-restraint (hence anorexia). I have (almost) always favored the spiritual side of my soul. My life has been a constant rejection of anything carnal and devilish and natural-man-esque. And so, this will of iron that resides within me has forever protected me, kept me safe, kept me pure and clean and good. But not now. Not now, when I need this iron will of mine to melt or soften or at least bend just a little bit. Now it is stronger, tighter, more solid than ever. It might suffocate me, but I can’t allow myself to want to stop it. I don’t know how. I don’t know how to want to know how. 

“Over 70 percent of those who suffer with eating disorders will not seek treatment due to stigma, misconceptions, lack of education, diagnosis and lack of access to care.”

RECOVERY 

With treatment, 60% of eating disorder sufferers make a full recovery.

Without treatment 20% of people suffering from anorexia will prematurely die from eating disorder related health complications, including suicide and heart problems.

As I read these statistics, and reread them, and read them again as I edit and organize and fix the mess that is this essay, these facts don’t really register inside of me. I still feel distanced from the results of my disorder—like these statistics and facts and consequences and fatalities could be about anyone, but surely not about me. 

Maybe how I view recovery is a bit like how many Christians view repentance. It is petrifying, paralyzing, and torturous. It is painful and gruesome and practically impossible. The end result is not worth the time spent in the process. And yet, there’s that Part of me that keeps pushing toward this end result—this imaginary space that therapists and dietitians and the internet call “recovery.” Is it real? I don’t know. Maybe I’ll find out. One day.  

Eating disorders research has been hampered by very low US federal funding levels (approximately $28 million/year), compared with research on other conditions:

Alcoholism: 18 x more funding ($505 million)
Schizophrenia: 13 x more funding ($352 million)
Depression: 12 x more funding ($328 million)
Food safety: 12 x more funding ($333 million)
Sleep disorders: 7 x more funding ($187 million)
ADHD: 4 x more funding ($105 million)

I am writing this essay for a couple of reasons. One of those reasons—a big one—is to heal. I know putting words on a page or computer screen won’t thicken my bone density or stop my hair from falling out or calm the anxiety that floods me when I eat out at a restaurant. But I feel like writing helps me shove out all of the unbearable feelings—like taking a band aid off a cut to give it oxygen . . . to let it breathe. It is literally the figurative fingers scratching at my stomach. It hurts to eat, but it hurts a little less when I can scribble it out—even if messily.

Another reason I am writing this is for others . . . others who also struggle with disordered eating. Think for a moment, how many people you know in your life who struggle with anxiety. How about depression? Was it hard to conjure up minds of family, friends, boyfriends, girlfriends, teachers, colleagues, coworkers, classmates, neighbors, celebrities, etc. who have anxiety or depression? What about eating disorders? Maybe not as hard as you thought it might be, but regardless. Before I was diagnosed (which sounds way more terminal and fatal than I really think it ought to be), I didn’t know anyone. Not really. Or, at least, it took me a while to draw them from the recesses of my mind. But we exist, and we are more common than you might expect. We just lurk in the halls, on the streets, in the apartments surrounding you, in silence. Because no one knows what to do with the oddity that doesn’t know how to eat. 

But maybe, I’m also writing this to bring awareness to myself . . . to knock it into me with each finger that pounds the keyboard. Because even though I understand what I am doing to myself, I don’t really understand it. It isn’t internalized in me quite yet. It is distanced from me in some far off world or universe or Hollywood movie about somebody else. Maybe I’m writing this so I can go back and edit it enough times that finally the facts will sink into me. Maybe they will stick. Maybe they will finally help me understand the seriousness of the moments when my mom tells me she hopes I can make it on my own to the end of this year or when my husband holds me close as he tells me how worried he is and there are tears in his eyes that haven’t been around in years. Maybe I will read this essay again and again and finally comprehend what I am doing to my body, my mind, the people around me whom I love, to my soul. Maybe. Maybe.

But for now, I can only hope. 

“O the mind, mind has mountains; cliffs of fall/ Frightful, sheer, no-man-fathomed. Hold them cheap/ May who ne’er hung there.” —Gerard Manley Hopkins 

____________________________

https://www.aedweb.org/learn/resources/fast-facts

https://www.mayoclinic.org/diseases-conditions/eating-disorders/symptoms-causes/syc-20353603

https://www.nationaleatingdisorders.org

______________________________

Bio: Mauri Pollard Johnson is studying English Teaching at Brigham Young University and minoring in Creative Writing with an emphasis in non-fiction. She enjoys baking new recipes, spending hours in Barnes & Noble, and watching The Office with her new husband. She is currently working on a collection of essays about her journey with an eating disorder, and hopes to use her writing to make a difference in the world of mental health, especially for teens. 

Essays

Jane Babson

March 17, 2019

 

Lost and Re-found

It may well be true that my son David’s Chromosome 7 is partly responsible for an

overnight journey to Lost Lake in the Mt. Hood National Forest that I recently took with him

and his staff, Jose.  I say this because Chromosome 7 has been studied quite a bit and various

developmental disorders may be linked to its genetic material being displaced, or lost, or

shuffled, or even repeated.  It’s easy for me to blame his condition on something, so I do,

though, of course, it may not be true.

 

Chromosome 7 represents 5 – 5.5% of the total DNA in our cells.

 

5% may not seem like a lot, but it is the 7th longest chromosome with maybe 900 – 1500

coding genes depending on whose site you read, so no turning your back on this guy. Here we

were then, away from the city and the group home where David resides in order to show him

new adventures, to shake off any lurking genetic-fate, to make his life look like other

people’s.

This particular Lost Lake in the Upper Hood River Valley, Oregon, is not lost, for it

never goes away, or disappears. It can always be found at the end of a very long and windy road.

There is, however, another Lost Lake in this same state. This one is in the Willamette National

Forest and is so named because it really does disappear into three holes in the ground.  The

Spring run-offs fill the Lake, but by Autumn there is mostly a dry meadow, for there is no more

mountain water to replenish what is lost. It’s not a duplicate lake at all then, just truer to its

duplicate name. Go figure.

 

According to the Human Genome Project, when the genetic region on Chromosome 7,
called 7q11.23, is duplicated, Autism-like traits and language problems are the 
result.

 

David’s absence of spoken language, his low-functioning Autism, require that two

people accompany him for long drives and sleepaways, so it’s not lost on me that his 7q11.23

could be why we made this journey. Jose and I had no way of knowing if he really wanted to go,

but he is the reason why we did go. After we walked around the 245-acre Lake that is never lost,

we left our cabin (easy to lose in the dark) in order to find some dinner in the closest town,

Parkdale, but first had to find a Pacific Pride gas station for the group home’s company car. It

turns out there is a Pacific Pride in Pine Grove, and oh boy I should have known where Pine

Grove is⎯having passed it a million times on Highway 35 from the town, now city, of Hood

River to the village of Parkdale every summer of my life-as-a-youth.

Pine Grove’s business center is one market and one gas station and has looked exactly the

same for ever. It has not gained ground, or lost ground, for that matter, and for this alone it is

unique—at least it can be counted on not to reshuffle itself. One can, and should, say that it does

stand the test of time. You would never know a Pacific Pride lived there; there is no sign, and the

pump is playing possum behind the everybody-can-use gas station.  It’s not lost, but it’s not

easily known, that’s for certain.  If it had been there all those years, then it was invisible to me. I

could have both seen it and not seen it.

Jose, a favorite and experienced staff from David’s group home in Salem, GPS’ed a

different route back to Parkdale after Pine Grove and other landmarks appeared, puzzle pieces of

the past tinkering with me⎯Woodworth Road where I rented a house one Summer while setting

fires for the Forest Service plus a sign for the Parkdale Cemetery. The house I hadn’t thought

about for a long, long time, so it was a memory re-found, just like that—a three months’ moment

from 1974. A space, mind you, not particularly relevant to my before-then existence or my after-

then existence, but some mental pictures developed, oblivious to my say-so. My son must think

in pictures. He doesn’t know words in the sense that he can’t say them or write them, but he

knows what a lot of them mean even though he can’t picture the letters in his head, I think.

 

Three of the genes on Chromosome 7 that may be related to Autism are AUTS2,
CNTNAP2, FOXP2.

 

The gene, FOXP2, is related to one’s ability to speak. According to Adam Rutherford in

A Brief History of Everyone Who Ever Lived, “There’s only two changes between the protein

sequence of FOXP2 in chimps and us, and we can talk and they cannot.”  I like chimpanzees,

and I imagine they talk to each other just fine, but I get Rutherford’s point.  This protein

sequence seems agreeably blame-worthy plus I like its full name—forkhead box P2—even if it

might be playing with my son’s genome, lost, misplaced, or shuffled in some way. I have no

real-time words that go along with the house pictures. If only pictures remain, then, in this way, I

am sometimes like David though I can recall certain words, phrases, sentences Jose and I

shared during that time, and my son can’t, I think. David responds in countless ways,

vocalizations, gestures, various signs, so clearly some of the time he does duplicate his hominid

cousins, and nothing wrong with that⎯way too many people talk who shouldn’t be allowed to.

In her 2005 bestseller about Autism and its correlation to animal behavior, Animals in

Translation, Temple Grandin, whose Autism couldn’t be less like David’s, remarks on

her mental cognition as one of seeing in pictures: “During my thinking process I have no words

in my head at all, just pictures.” The academic and well-known author explains that words come

in, but only “after I’ve finished thinking it through” (her itals). These two things then (Temple

and David) prove the Sesame Street song to be true: “One of these things is just like the other;

one of these things is just not the same.”  But guess what? That is not the case because they

(Temple=David) do match according to the latest Diagnostic and Statistical Manual of Mental

Disorders or DSM-5 which is the go-to book for finding out how you are similar and different

from the normal people.

 

The DSM-5 “diagnosis will be called Autism Spectrum Disorder (ASD), and there no longer will be
subdiagnoses: Autistic Disorder,  Asperger Syndrome
Pervasive Developmental Disorder Not
Otherwise Specified,  Disintegrative 
Disorder”  (The American Academy of Pediatrics). (my itals).

 

Anyone can see that the problem with the previous DSM-IV was that it was way too

crowded with things that were really not the same but had a few look-alikes—which caused

some consternation and upset the natural Sesame Street order-of-things. DSM-5 erased that

prickly-pear of a problem by simply reshuffling the four into one, Autism Spectrum Disorder,

where a person with a PhD and another person who can’t say or spell PhD are holding the same

umbrella with a big fat sign on it saying ASD HERE. Andrew Solomon rightly quips about the

disappearing disorders in his groundbreaking work Far From The Tree: Parents, Children, and

the Search for Identity: “PDD-NOS—pervasive developmental disorder, not otherwise specified

(which critics claim stands for ‘physician didn’t decide’).” (my Itals). Six words, just like that,

lost forever and why not, it was a mouthful and a tad on the vague side.

Compared to the mentally-neglected house on Woodworth Road, a few words and

pictures arranged or shuffled their way into memory lane when we visited the Parkdale

Cemetery, after finding the gas, but before finding the dinner. The sign demanded our presence,

for my parents are there, and I hadn’t been to see them for several years. In that sense, the house

on Woodworth Road and my parents’ resting place are not the same at all—one was a rental

house I will never see again; whereas, the cemetery I have visited a few times is my parents’

forever-home, since 2000 for my mother and since 2010 for my father. You could say that, like

one of the four disappeared Autism disorders, the House is NS—not specified; whereas, the

Cemetery is VS—very specified.

The cemetery was much smaller than memory said it would be. Alongside Mom and Dad

are four others⎯my paternal grandparents, and a paternal aunt and uncle, which was a

surprise because I had forgotten they stayed there as well. The cemetery has a dramatic natural

backdrop, Mt. Hood, and in a society under siege by the war between sameness and otherness,

it is something of an egalitarian residence given the equal payout of grave markers

for the dead by the living. No stone edifices here, no outsized monument to one father and husband,

no statues to mother and grandmother. If you have a choice for one last place

to live, you can do a lot worse than this picturesque cemetery (from GK koimeterion ‘dormitory’

from koiman ‘put to sleep’). Going to sleep with like-minded people in a similar environment

under the watchful eyes of a majestic mountain, what’s not to like?

I showed David his maternal grandparents’ places, and he jumped and hopped on them,

unmindful (no, mindless) of who, what, or where, or why we were there, while my mind saw the

lost years fly by. The quiet dormitory is surrounded by an apple and pear tree orchard, and a deer

glided through some trees, and looked at us⎯at me I was certain.  Yet who is to know

what a deer sees, or thinks?  He stopped right in front of us, and I held David’s head, trying to

force him to sight this wild nature, this deer.  He didn’t, of course, and my mindless

determination to make him see what we saw has ever been a lost gesture, yet who knows what

David actually sees? While Jose, David, and I all have the visual apparatus to sight

the young deer, maybe only two of us really did see something that, to us, was just the same.

Chromosome 7 has 159 million base pairs.

 

Sure, that sounds like a lot, but these building blocks of DNA in Chromosome 7 are the

most highly studied of all the chromosomes, and the mystery of lost words or unsighted

deer may be uncovered here. The inability of this man-son with healthy eyesight and hearing to

be able to focus on close-up or middle-distance images, never mind a far-off flying hawk,

is a never-forgotten reality of the low-functioning kind of Autism, and I don’t mean the other end

of IT⎯pretty much anyone can fall under the Autism Spectrum Disorder. And fall under it they

do, although presumably far from any trees one can see. Statistics reveal Autism to be so

common but really, then, where are they all?

There is no photograph that proves the deer, and only two out of the three people there

could talk about it the next day, or the next.  But that too falls apart because the words and the

pictures in my mind and in Jose’s mind cannot also be the same.  Any meaning, if there is one

for Jose, a thoughtful artist, is his alone, and must be different than mine: he, too young to

dialogue day-to-day with mortality as I do; he, who did not know my parents; he, who has not

lost a parent. Older people seem to be mired in deathscapes, and, if they don’t like the mire, they

may be unable to stray far from it. Mire, related to swampy or boggy ground, but also⎯and so

more true to my mind⎯to be involved in a difficult situation, that is a mother who will one

day not be present and a son who will not understand why she is absent.

This deer followed me fondly for the next few days knocking on my moody

metaphysical door and kicked up a memory of another deer in the film Three Billboards Outside

of Ebbing, Missouri. The character, Mildred, is planting flowers next to one of the billboards

where she has placed an ad that is a pretty clear demand to the Sheriff to find the person who

raped and killed her daughter. She is silently thinking of her loss, and a fawn materializes out

of nowhere, stops, and looks at her. She says to the deer: “Well, you’re pretty. But you can’t be

her. She got killed, and now she’ll be dead forever. I do thank you for coming up though.”

The mother’s loss is and will continue to be profound, and the writer fuels it by

this act of suspending disbelief⎯who sees a deer staring at her when life stops at sorrow and

mortality?  Should justice prevail, Mildred’s words reveal the finality of her loss:

daughter’s death, no afterlife, the deer “coming up” as though it resides in the underworld.  

Even so, life’s grace and fragility are equal to the young, pretty deer that is not her

daughter but has given the mother the only positive response to her words on the billboards,

which have pitted the town against her.

But this clever brain-storm happened much later, after dinner, after walking through Parkdale,

after seeing the old wood church dating from 1911, the place where I was told I was baptized (maybe

1950) obviously too old at the age of three for religion to stick around and, appropriately enough, no

mental pictures or words rise up from that at all. None. No one has ever talked about it, a Not

Otherwise Specified event certainly. Come to think of it the only people who can testify to this not-

properly-a-memory are together in that dormitory.

Next appeared the building where my sisters, mother, and I went to the movies, oh-so-

long-ago, and I recall to this day, my first cinema-seeing, my painful entrée into the two-faced

Janus of comedy and tragedy. The grandfather’s orchard where we stayed every summer was a

few miles away, and for an evening excursion, we went to the local theatre, although I only

remember this one time, so maybe it did not occur often, or maybe it occurred only once,

historical facts being notably lean on the ground this trip, as anyone can see. I remember it

because the Native American women in the audience wore traditional clothes, had long braids,

and really-and-truly had babies on their backs in papooses you now see only in books.

But that is totally not why I remember it. The birthplace for this memory is because the

film scared me to death. If you want to look up The Long-Long Trailer (1953 Fox) starring Desi

Arnaz and Lucille Ball, you too will find this Hollywood artifact, perpetrator of a singular, albeit

cloudy, snapshot that I can bring to life as if it occurred yesterday, which isn’t much it’s true.

The year is probably 1954, which makes me seven and seemingly too old in today’s

terms (technology having made innocence and naivete obsolete) to be so distressed by a movie

where the characters are in peril of driving their very long trailer off the twisty-turning high

cliff road to die a terrible death. But that isn’t correct either. This is comedy, pure and light.

There is no reason, from any normal perspective, whereby the trailer could actually fall off

the cliff, crash, and harm the two comedians.  Zero. Not going to happen.

No flip side to this at all, no gray area, no dark humor. Desi and Lucy will never die, and

no one in that theatre in Parkdale, Oregon, thought they would (except me).  What I can’t prove

is that any of it is true, nor will anyone be able confirm this scene that I have incubated through

time. It is my memory and no one else’s though I would prefer it had become lost along the way

because it clearly hasn’t done me any good.  I’ve been blaming it on my fear of heights ever

since then, so I can’t back down now.  The inside theatre is no longer there, (of course,

obviously), but I remember exactly which building it was located in, and I proudly pointed out to

David and Jose, as a good tourist guide would, where I saw that movie.

Some weeks after the Lost Lake adventure, I was reading Ed Yong’s breathtaking page-

turning study of microbes in his 2016 book I Contain Multitudes: The Microbes Within Us and a

Grander View of Life. He colorfully shows that individuals are pretty much tethered to the

microbes in their system.  Microbes in the intestines affect people’s immune systems, and it

turns out that “Many conditions, . . . are accompanied by changes in the microbiome, suggesting

that these microbes are at the very least a sign of illness, and at most a cause of it.”  Wow is what

I thought because Autism is one of those conditions he lists.  If I can just reshuffle David’s gut

bacteria, maybe he too can see the deer.

Yong writes “that we have around 30 trillion human cells and 39 trillion microbial

ones. . . . ”  Microbes “. . . the brainless, microscopic, single-celled organisms that live inside

us have been pulling on our strings all along.”

Microbes in the human body outnumber every single human cell!?  Brainless they may well be,

but if it is microbes (not David’s Chromosome 7) that spin his existence, and by

extension mine, and the people who work with him like Jose, then there is more blame

to go around, which I am quite happy about.

Our next trip is to find that other Lost Lake. Jose and I have decided David

would love to see it, we mindful, but really mindless, of his true desires and so off the three

of us will go, pulled by the genes in chromosomes or by not-so-brainless bacteria or just by the

luck of the draw.  There won’t be a lake then at the end of August, just a meadow.  The water

will be lost underground and no one knows, year after year, exactly where it goes.

The three of us together will see that there is no Lake there. We will share a

similar reality as we walk through it, because the ground won’t be underwater, and maybe we

will all see a deer.  Jose, David, and I will not see what, in the past, was there and what, in the

future, will be there again.  In this way, we three will be the same. And when the mountain water

fills the meadow up with a lake next Spring, this too we will not be there to see, even

though it will be true.

_______________________

Jane Babson has a master’s degree in African Languages and Literature and a doctorate in Comparative
Literature from the University of Wisconsin-Madison. She often writes about her son with low-functioning
Autism (Neutrons/Protons Magazine) as well as her travels in Africa, Greece, and Viet Nam (Cargo Magazine).
For the past twenty years, she has taught literature at Western Oregon University.

Essays

Natalie King  

November 29, 2018

 

My First Acting Class

“Hi, my name is Natalie King. I am interested in taking some acting classes.”

I was looking in the mirror, rehearsing what I was going to say when the acting teacher answered the phone. I am a mirror-gazing veteran. That’s where I talk to myself and live out all my fantasized situations, where I say just the right thing, at the just the right time. It’s where I leave people in awe of my intelligence, my uncanny ability to be charming and disarming. I picked up the phone and dialed the number for the Actors Studio in San Francisco.

I have anxiety—the kind that makes it hard for me to order coffee in a coffee shop. The kind that makes me hyper-aware of my body, and how I’m standing or walking. I avoid situations where I have to introduce myself to more than one person. I am lonely, because I don’t know how to have relationships. I am so scared to push people away. I am scared to mess up.

I rented an apartment in San Francisco, away from everyone I know, just so that I could stumble, fall, get up. I am going to give myself a year to learn how to be fully human. I figure that actors get on stage and do everything that scares me right into a catatonic state. If I can learn to be an actor, I will learn to live. I want to be a person who laughs spontaneously, whose hands don’t start dripping sweat at the thought of being watched, seen, heard. I want to be free to be outside my fantastical life in the mirror.

“Hi, this is Shelley Mitchell,” came the soft, clear voice.

“Hi, my name is Natalie King. I’m calling about acting classes.” Continue Reading

Essays

Liz Rose

September 18, 2018

While He Was Stopped by Soldiers

The first hour of the drive to Eilat, the resort town in Israel three hours south of Jerusalem was, in a way that I remember now, like a road trip movie: my feet propped up on the dashboard, my tanned toes sticking out the window as Khalil drove. The wind blew our hair back. We had Diet Coke and potato chips. A week before, when Khalil asked me to drive to Eilat with him, I wondered if we’d hook up. Going to stay in a hotel could only mean one thing. But I didn’t ask.  I said yes, and packed one pink dress, a red skirt, one pair of brown sandals, and my teal bathing suit. I was young and confident. I had recently mastered the mass transit bus system in Jerusalem. I could get anywhere anytime and never had to ask anyone for directions. If, on the rare occasion I didn’t know, I’d use my Hebrew to ask. When strangers on the street asked me for directions, they asked me in Hebrew—a sure sign that I was looking less American and more Israeli.  I was twenty-one, living abroad in Jerusalem as a graduate student, and I sported an attitude of bravado about things I knew nothing about.

Khalil was twenty-one, too, and we had met at a cafe near the Jaffa Gate in Jerusalem months before we drove to Eilat. The cafe served mostly tourists, but Khalil and I had been in Jerusalem almost a year already, and we began talking by scoffing at those we could tell were visiting for just a week or so. We sat at white plastic tables on red round plastic chairs. The smells of zaatar and sumac wafted around us as we spoke. The first thing I noticed about him was his necklace, a gold state of Palestine. It was the first time I saw what I was taught was the map of Israel, with city names in Arabic. I looked at his necklace against his brown skin, and then clutched my own necklace, a modern gold chai, the Hebrew word for “life,” and the lucky number eighteen, too, the legs bowed at the top and then narrowed. Khalil is a Palestinian-American, the youngest and only child of seven to be born in the U.S. All the others were born in Palestine. After growing up in the United States and graduating college, he had come to Palestine to live in Ramallah with an older brother for a year. For Khalil, hanging out in Jerusalem came to be a Westernized respite from living with his family under occupation in Ramallah. For me, going to cafes and bars in Jerusalem were small breaks from my evening graduate seminars at Hebrew University. At first, we ran into each other at the cafe a few times. After several weeks, we started to hang out more. A month later, he asked me to drive to Eilat for the weekend. I didn’t bother to ask if we’d have separate hotel rooms. We’d just figure it out.

Once we had been on the road for a while, I noticed a siren behind us. I figured—in my naivete—that Khalil must have been speeding. He wasn’t. We were pulled over by a car full of Israeli soldiers. They told Khalil to step out, forcing him to place his arms over his head and pushing him against the car. Using his knee, one of the soldiers spread Khalil’s legs wide. The soldiers were handsome. One winked at me and flirted, while he looked through my US passport as the others accosted Khalil. I smiled and clutched my chai. Khalil’s passport was American, too, but that didn’t help him as they searched his body. From inside the car, I watched them lift Khalil’s shirt and look down his pants. While he was being frisked, I sat in the car wondering if we would have sex that weekend. Continue Reading

Essays

Courtney Kiehm

July 22, 2018

Fort Myers Beach, Florida

I walked along the plastic white boardwalk. My feet were sizzling, and I could hear the boards rubbing together. It sounded like someone was twisting a disposable water bottle.

I look down at the water, waves crashing up against the boats, causing them to rock back and forth. The water has a grayish-blueish-green color, making it murky so I cannot see very deep. I was always searching for a shark fin to be sticking out of the water.

Ma is like a storm nowadays. Her doctor diagnosed her with bipolar disorder, but she doesn’t think anything is wrong, so she refuses medication. Sometimes she calls my mom crying. Sometimes she calls my mom yelling, asking where Pa went. I’ve called my grandma and grandpa Ma and Pa since I was a baby, and that’s the way it stayed. Continue Reading